Vigorously Lazy

with Christopher Heavener

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Tuesday, December 14th

120 in 2010: Exit Interview.

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It’s unlikely I’ll finish another book before the year’s out so I’m calling it a bit early. I didn’t come close to hitting the goal. I don’t even think I hit the halfway mark. I think it was something closer to 55 books. It’s hard as shit to read 120 books in a year. Who’s got the time for that? I read an interview with Sherman Alexie where he said he’s got a personal library of something like 5000 books. That’s roughly ten books a week for ten years. I guess it’s doable if you’re Sherman Alexie. Otherwise, I can’t recommend forcing yourself to read 120 books in a year for recreational purposes. It’s more than likely you’re going to burn yourself out.

Does it count for yearly reading that I cycled through roughly 1000 short stories this year? Even if they didn’t get published? Just because a work isn’t published does that mean you can’t learn something from it? And ultimately does that mean that you the piece is somehow validated if someone learns something from it or impacts them in some small way? That’s what you want with publishing, right? Validation? That sweet crack-like drug that makes you feel like you matter, that there’s a purpose for you here? That in the event fire were to rush across the sky and singe all life from the surface of the earth in a brutal cleansing, you’d be someone they’d make sure had a place in the bunker? That would feel good, wouldn’t it?

Once I unlocked the possibility that I could read two books in a week then I got faster, so that was cool. But the books I was reading didn’t have a natural progression, I was just picking up whatever was on the shelf, mainly whatever small press stuff I’d got in the mail. But since I had a goal to hit, since I knew I could read faster than I had months before starting, it made it a lot harder to finish a book I didn’t care about, or even start one that didn’t sound exciting. When you force yourself to do something you quickly learn what’s a priority and what’s not. If I learned anything it’s that I’m only reading stuff that interests and excites me from now on. Anything else feels like a waste of time.

I’d wished there was a natural arc to the books I’d read this year. Like I said, I was mainly picking up all the stuff on my shelf I’d been meaning to get to, or stuff put out by my small press cronies. It was a year of mainly digging into that world and seeing what it’s all about. Now that I’m familiar with it, I’m kind of done with it for a while. I want to start reading the stuff that everyone else is reading, Colum McCann, Aleksander Hemon, Deb Olin Unferth, that sort of thing. Good books make you want to talk about them with other folks. Small press books are hard because not a lot of people know about them, which makes conversation scarce at best. The very cool thing about small press books, though, is that the writers are very grateful to have their stuff read. And they’ll be happy to talk to you about their books if no one else will. Also cool: they, unlike big name authors, will return your emails and sometimes you end up meeting new friends. Which, in the end, is what reading and writing is all about: connecting.

I liked writing the reviews. I imagine I’ll keep on doing it, especially if I think it’s a good small press book that deserves more exposure. But I’m done with counting how many books I’ve read. Ultimately it doesn’t matter how many books you’ve read. There’s no magic number that, once achieved, grants you enlightenment status. It’s a journey that only ends when your mind falls apart. What matters is that you read a lot and get a lot out of what you read.

Noteworthy books read (in chronological order):

The Crying of Lot 49

Shoplifting from American Apparel

Slumberland

Museum of Fucked

Await Your Reply

Burn Collector Fourteen

How to Take Yourself Apart, How to Make Yourself Anew

Fugue State

A Common Pornography

Mockery of a Cat

We Did Porn

Eat When You Feel Sad

A Jello Horse

Everything Here is the Best Thing Ever

Crossed

Sword of My Mouth

Big Lonesome

Pathologies

Adam Robison and Other Poems by Adam Robinson

48 HR Magazine

Twelve by Twelve

Rocket’s Red Glare

Flowing in the Gossamer Fold

Hobart #11: The Great Outdoors

Aliens of Affliction

Midnight Picnic

When You Say One Thing But Mean Your Mother

We’re Getting On

Ablutions

Taste of Penny

The God of Small Things

Zeitoun

How They Were Found

Sleepingfish 8

The Female Brain

Long View

Freedom

Tuesday, December 7th

Scene Report: Franzen Sighting.

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Jonathan Franzen was at Book Court last weekend. We got there late and it was like this. That speck in the front of the crowd is him.

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He was talking about Cerulian Warblers, I think. It was very hard to hear all the way in the back. We decided it wasn’t worth it and catch a 9:30 Harry Potter.

Monday, December 6th

Issue Seven: Cover-to-Cover.

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Issue Seven contributor Nick Ripatrazone has taken it upon himself, God bless him, to blog a little something about each piece in Annalemma Issue Seven: Endurance over the course of the next few weeks. And he’s starting from the very beginning with Sasha Fletcher’s “Coming For to Carry Me Home,” the first and only poem we’ve ever published. Thanks Nick, looking forward to seeing what you think of all the pieces.

Friday, December 3rd

Issue Seven Preview: Howl.

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If you live in Orlando then you know about the Enzian and its legendary status as the best damn place to see a good/weird/enlightening/confusing/interesting/mind-blowing movie and have a beer and maybe a veggie burger at the same time. If you don’t live in Orlando, now you know.

This weekend they’re hosting the Orlando premiere of the Allen Ginsberg movie Howl, starring everyone’s favorite mind-freak actor, James Franco. Go check it out this Saturday to get a sneak peek at Annalemma Issue Seven: Endurance. I’m not going to say what it is other than it’s going to be the only place you will be able to see this particular preview. Enjoy!

Thursday, December 2nd

Lisa Hanawalt.

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Meet Lisa Hanawalt. She’s weird. Exhibit A: her new window dressing at Desert Island.

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So you can see she’s weird in the best way. I recently read a copy of I Want You #2. The cover drew me in, anything with anthropomorphized animals usually does. I wasn’t ready for what was inside: Crude humor expertly illustrated, a recipe for a deliciously devilish good time.

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First you barf at the image of an Avatar character defecating out if its mouth, then you marvel at the attention to detail on a she-moose’s face as she pleasures herself with a newly bought vibrator. Hanawalt sticks to the classics to get laughs, good old fart and poop jokes. You’re lying to yourself if you don’t find those things funny.

And then there’s this:

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Monday, November 29th

Thanks.

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Give thanks for the end of a long journey and the beginning of a new one.

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Give thanks for creativity.

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Give thanks for ingenuity.

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Give thanks for longevity.

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Give thanks for the woods and swamps.

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Give thanks for possibility and potential.

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Give thanks for second chances.

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Give thanks for love.

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Give thanks to youth.

Tuesday, November 23rd

Eatonville Release Party Wrap-up.

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The FL release party for Annalemma Issue Seven: Endurance was held in Eatonville, FL. Why?

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Because of this man: Ted Hollins.

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I first heard about Ted at a photo show curated by our very own print designer, Jen O’Malley. Jen consulted N.Y. Nathiri (director of the The Hurson Museum and founding board member of The Association to Preserve the Eatonville Community, pictured left) to determine who was the best photographer in Eatonville. She didn’t hesitate to name Ted. When Jen and I started talking about featured artists for the Endurance issue, Ted’s name kept coming up. He’s been documenting the ZORA! festival for the last 21 years. To us, nothing said endurance like the life and work of Zora.

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So we put together Ted’s photo essay, we got N.Y. to write a really beautiful foreward for it and we decided to donate a portion of the proceeds from the issue to the Hurston Museum.

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To get a sense of closure to the project, it only seemed right to throw the release party in Eatonville at the Hurston Museum. So that’s what we did.

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And a lot of people came out and had a damn good time, as was our intention. Alberta, Moms, Karina and Alberto.

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I stood up and said basically everything you just read. People looked at me funny while I spoke.

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My heart was warmed with the old and new friends that came out to support. Metha and Kris.

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The Black Bean Deli catering crew unleashed an avalanche of empanadas that Eatonville was not prepared for. They were not wearing sock garters so their socks got blown clean off. Andy, Janelle, Gabi and Jessi.

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Magazines were perused and enjoyed. It was, far and away, the best Anna party ever thrown.

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Thanks to Ted, Jen, N.Y. Nathiri, The Hurston Musuem, and, most of all, the Eatonville community for welcoming a bunch of strangely dressed outsiders with open arms. Don’t miss ZORA! fest happening at the end of January!

Monday, November 22nd

Issue Seven Preview: Simmons on Kneeland.

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It may not always be the greatest timing to make a drastic life change while trying to promote a new issue of a magazine, but sometimes that’s just the way things work out. Good to see you again, reader of blogs.

In the interim, Issue Seven contributor Matthew Simmons recorded this video of himself reading an excerpt of the story “The Difference Between” by Andrea Kneeland from (you guessed it) Annalemma Issue Seven: Endurance.

Were you aware that it’s on sale now?

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Friday, November 12th

Party in FL Tonight!

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There will be empanadas. There will be red and white wine. There will be books. This will all be free. It will last for two hours. It will happen right after work. Come loosen the tie and/or ascot with us.

Looking forward to seeing you.

Thursday, November 11th

Stampede.

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Curator Meighan O’Toole presents a whole slew of low brow and contemporary artist on My Love For You is a Stampede of Horses. I was tempted to poach a lot of the artists she’s already showcases and do posts on them here but it made enough sense just to link you into her capable hands. Some of my favorites like Caitlin Hackett and AJ Fosik are extensively covered in interviews and images of artists in their process. If you are feeling culturally starved, consider MLFYIASOH an all day buffet.