Vigorously Lazy

with Christopher Heavener

Blog

Monday, March 28th

Louder Than a Bomb.

Louder Than a Bomb Movie Poster

Hey Orlando! Anna is sponsoring this year’s Florida Film Festival and as a result, we’ve got four free tickets to go see the Tuesday, April 12th screening of LOUDER THAN A BOMB, a documentary film telling the story of four teams of Chicago high school poetry teams as they prepare to compete in the world’s largest youth poetry slam. Check out the trailer:

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Wanna go see it for free? Post a line from your favorite poem to our facebook page. The four most interesting choices will be chosen  this Friday at midnight EST.

Friday, March 18th

Lloyd Kahn.

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Yesterday I talked about my friend Jason and the inspiration for the Issue Eight: Creation, but he’s not the only piece of the puzzle. Meet Lloyd Kahn, also a role model for this issue. We’re trying hook up an interview with him. Until then, watch this short doc on him and what he does and be excited.

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Thursday, March 17th

Seeds.

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I was in Orlando for a thing that ended up not happening so I went to see my friend Jason Gregory who runs a wildly successful leather goods company called MAKR.

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He’s been doing well, so he had to bust down the wall of the space next to him and expand into this tasty realm.

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Jason was actually the inspiration for the creation issue. He sent me a text that said, “You should do an issue of Annalemma that’s all about making things.” I texted him back, “That’s a great idea.” And here we are.

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I’m jealous of Jason’s wild success with his brand and his beautiful space with his antique mid-century furniture.

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But whenever I get jealous I remember a scene from Seven Years in Tibet where Lhakpa Tsamchoe’s character says to Brad Pitt’s character, “A friend’s good fortune is a blessing. I’m sorry you resent ours.”

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The workshop.

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The bookshelf. Well, well, well. What do we have on the bottom shelf

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Jason will need something, like a coat hook, and make a design, get it a limited run manufactured and then sell them all. Once they’re sold, they’re gone, never to be made again.

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Enough gushing, you get the idea. The dude makes rad stuff. We had an editorial meeting and it went well, gave us a lot of focus and I’m very excited about the direction of all this. It’s making me feel real good inside.

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The man and his big ass desk.

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Unrealted: new Brice at Stardust. Thanks, Orlando, for being rad.

Friday, March 11th

Where to Buy Issue Seven.

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Apart from the most obvious and convenient point of purchase (at your door in 4 or 5 days!) Annalemma Issue Seven: Endurance can be found in your local indipendent book and curio stores. Don’t see a store near you? Shout it out in the comments and we’ll make it happen.

Manhattan Beach, CA

Pages

Denver, CO

Tattered Cover

Miami, FL

Books & Books

Orlando, FL

Mother Falcon

Alchemy Salon

Atlanta, GA

Criminal Records

Dubuque, IA

River Lights

Iowa City, IA

Prairie Lights

Chicago, IL

Quimby’s (bonus)

Book Cellar

Louisville, KT

Carmichael’s Bookstore (bonus)

Amherst, MA

Newbury Comics

Cambridge, MA

Newbury Comics

Boston, MA

Newbury Comics

Fitchburg, MA

The Rabbit Hole

Baltimore, MD

Atomic Books

Portland, ME

Longfellow Books

Newbury Comics

St. Louis, MO

Left Bank Books

Subterranean Books (bonus)

Starclipper

Missoula, MT

Fact and Fiction

Chapel Hill, NC

Internationalist Books & Community Center

Flyleaf Books

Metuchen, NJ

The Racontuer

Brooklyn, NY

WORD

Greenlight

Spoonbill & Sugartown

Desert Island Comics (bonus)

Book Court

Buffalo, NY

Talking Leaves

Ithica, NY

Buffalo St Books

New York, NY

St. Marks Books

McNally Jackson

Portland, OR

Powell’s

Grass Roots

Delaware, OH

Beehive Books

Pittsburg, PA

Copacetic Comics Co.

Providence, RI

Ada Books (bonus)

Newbury Comics

Austin, TX

Domy Books

Richmond, VA

Chop Suey (bonus)

Bellingham, WA

Village Books

Seattle, WA

Bulldog News

Elliott Bay Book Company

Pilot Books (bonus)

CANADA

Ottawa, ON

Collected Works

Mags & Fags

NOVA SCOTIA

Halifax

Atlantic News

Thursday, March 10th

Scene Report: Bright Eyes @ Radio City.

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Last month an old friend from the Florida days came into town and stayed with us for a weekend. To say thanks, he bought us tickets to see Bright Eyes at Radio City. This was a totally unnecessary move on his part, but nonetheless very much appreciated.

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My buddy is the biggest Bright Eyes fan I’ve ever met. He’s seen them probably a hundred times. It was a shame that he wasn’t there with us this night. Radio City is an incredible building and it would have freaked him out.

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I couldn’t get over this mural in the lobby. It’s called the Fountain of Youth. Here’s something interesting.

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Ezra Winter painted it in 1932. It’s one he’s most known for. He was an incredibly talented muralist who demanded high prices for his work. His story took a tragic turn when he fell off a high scaffolding while working and broke his back. He never recovered his ability to keep his hand steady enough to paint with and eventually committed suicide in 1949 at the age of 63. I bring this up because Bright Eyes songs mention death and dying quite a bit. But their songs have the tendency to be somewhat hopeful too. I’m sure what’s hopeful about Winter’s story. Maybe what’s hopeful is “The Fountain of Youth” still exists and still has the power to move people like myself to think and write about it.

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The place was sold out. I don’t know why that’s always surprising to me to imagine that so many people are into this band.

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Man, I love art deco. The 30’s and 40’s may be my favorite period in American architecture. I like the idea that “bathroom” or “restroom” or “water closet” sounded too crass or rudimentary, that it didn’t cultivate a feeling of rest at all. You know what word does help you relax enough to have a urinary or bowel movement? The word “lounge.”

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Never a fish-eye around when you need it. Notice the glow of the smart phones in the crowd. When I first heard this band I only knew a couple people who’s phones had color screens, much less unadulterated internet access. That was, what, maybe six years ago?

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Rad set pieces. I couldn’t stop thinking of Conor Oberst’s appearance in Freedom.

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And that made me realize I was wearing flannel and tortoise shell glasses. And at that moment I became aware of how I was very much a white man participating in a very white person activity.

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I don’t know what that means, it’s just been on my mind lately. But no one really cares about that.

Was it a good show? You bet your ass. Thank you, Thomas, for the amazing experience.

Tuesday, March 8th

Issue Eight Deadline Pushed Back.

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{image via}

The deal: I’ve been working on another project that’s been stealing time away from Anna. I’ve got more time for Anna now so we’re going to be putting more work into the Creation issue, starting with pushing back the deadline. Submissions have been a bit sluggish, probably because we haven’t promoted it all that great. I should have sent out a press release announcing the new theme but I didn’t get around to doing that until today.

So I’m pushing back the deadline to April 5th in the hopes you’re working on something bad ass that you need more time on or maybe give you the opportunity to spark some ideas for something bad ass.

Like I said before, we’re looking for mainly nonfiction for this issue. Something we are very interested in reading about: people making things. I love watching it, I love learning the process. Doesn’t matter what it is, motorbikes to Motorola’s, compost to complex algorithms, if you can explain how something is made in an interesting way then you’ve got my attention. If you can weave it into a narrative, even better. If you can weave it into context that defines who we are as human beings and where we’re headed as a species then you’ve probably got an award winning piece of writing on your hands.

There will be a one or two slots open for fiction submissions so competition will be very tight.

So… what you got?

Friday, March 4th

Contributed.

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After almost a year (a fucking year? really?) I finally got around to posting bios from the print issue contributors. Apologies if you were in the print issue and were at a party and told someone you were in the print issue of this bad ass journal and the person you were talking to went home and got on the internet to google-proofed your story and thought that you were a goddamned liar and then started telling people you were a goddamned liar and next thing you know everyone hates you and you’re living in a box. Sorry about that.

Also, contributor Paul Kwiatkowski got a shout out at the Paris Review blog for his essay Lions that first appeared in Issue Seven.

Also, we need artists. If you are an artist or know an artist and would like to illustrate a story we’re running on the web then email me at chris {at} annalemma {dot} net and I will probably like what you do.

Thursday, March 3rd

Reading in 2011 pt. 2

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Donald by Eric Martin and Stephen Elliott

(McSweeney’s, 2011)

What if Donald Rumsfeld got caught up in the state-sanctioned torture machine he helped design? That’s the premise of Eric Martin and Stephen Elliott’s short novel Donald. The main character is abducted in the middle of the night by a clandestine military group who take him to an undisclosed location where they begin a series of esotheric interrogations. It’s unclear what they want, and before the main character can even discern if he can give it to him, he’s taken to a Guantanimo-like facility where he becomes a prisoner of war he helped create. Events soon blur together, interrogation sessions become more clouded in mystery and alliances with guards and prisoners are formed quickly and dissolved just as fast.

Martin and Elliott have done an impressive thing considering the audience they’re catering to, considering the goal they’re trying to achieve. They’ve made the character of Donald into a person you sympathize with, a person you feel for and relate to and root for even though you don’t agree with his actions, his rationale, or his worldview. It would have been easy to take Donald at face value, to play up the caricature, to feed into the liberal desire to burn him at the stake. Of course, the premise of the book is hurling Donald into the downward spiral of confusing madness that is the military torture machine. The book borders on tedious as the interrogations become maddeningly repetitive and unproductive, but that comes with the territory when you’re trying to mimic the feeling of psychological torture.

People often question the importance of fiction. What’s its role? Is it relevant? What’s the point? Novels like this, ones that make clear, unflinching, political statements (ones that have the balls to come out on the same day as Rumsfeld’s true memoir) seem to be the answer to that question.

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Another Bullshit Night in Suck City by Nick Flynn

(Norton, 2004)

This was the one that was everywhere when it came out. The one that was on all the book club lists, the one everyone was reading, even if they didn’t read all that much, even the people who only read three or four books a year, this was the one. I missed it. I missed it cause I was snobbish when this book came out. I was arrogant enough to think that I knew something that everyone else didn’t because I wasn’t going to get sucked into the hype train. What a dumbfuck mode to be in. What a willfully ignorant, up-my-own-ass-for-no-good-reason mode to be in. What mistake to miss out on a book like this because I’m stuck in this mode of thinking that I’m somehow better than someone else. What a waste of time it is to think like this. Think about how much this book could have taught you with its tight and powerful vignettes adding up to a monumental story. Think about all the time you wasted thinking you were hot shit when you were so much the opposite.

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DMZ Vol.1: On the Ground by Brian Wood and Riccardo Burchielli

(Vertigo, 2006)

In the not-too-distant future, anti-social militias that pepper the country (once thought of as bastions of crazy inbred woods folk) awake like a sleeping giant and topple the US government. The borough of Manhattan becomes a Demilitarized Zone, where chaos reigns and no one has any concept of what life is like, where rumors end and fact begins. Inexperienced photojournalism intern Matty Ross is thrown headlong into answering these questions as his team is attacked when they land in the warzone and he’s left alone without a contact inside to pick up the pieces.

The macho, bar-stool voice bravado that seems to pervade most male comic book characters personalities isn’t skimped on in this series. The most interesting thing about DMZ is the story that lies beneath the surface, the story the news is often unable to provide about warzones: the story of what life is like for the individual. If post-apocalyptic genre stories should be judged not on the questions of why the word as we know it has come to an end, but what life is like for people after the fact and how communities attempt to rebuild themselves, then DMZ is worth a read in this regard.

Thursday, February 24th

Collections.

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I got sent two excellent collections of writing in the mail last week.

The above is Fragmentation + Other Stories, put together by my Orlando homies Jana Waring and Ryan Rivas under their new imprint Burrow Press. I haven’t read the whole thing yet, just blasted through a few that caught my eye, most notably the flash piece at the book takes its name from by Peg Alford Pursell. She knows the key to a good flash piece is to illustrate those emotions we have that spark up real quick and fade just as fast. Tom Debauchamp’s story about a kid that compulsively says the word “skullfucker” before everything had me thinking it was going to be shocking for the sake of being shocking, but then turned out to pull off a real heart warmer. Full disclosure: I have a piece in here. While I would be psyched if you read it (it’s pretty good), that’s not why I’m pumping this collection up. Jana and Ryan are taking the initiative to start a small press for Orlando and the surrounding area, the place where I’m from and a place that doesn’t have that sort of thing. They’re taking a step towards creating an outlet for writers in that area, something that I didn’t have when I was there, and all that makes me feel good. Buy this one, it’s good writing from good people.

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Issue Five contributor William Walsh was good enough to send me a copy of this collection he put together with Ampersand Books called RE: Telling – An Anthology of Borrowed Premises, Stolen Settings, Purloined Plots and Appropriated Characters. Issue Six contributor Matt Bell lends his magic to the immortal Mario Bros. in  Mario’s Three Lives. Another contributor from the same issue, Jim Ruland, takes the Jack and Jill nursery rhyme to the seedy underbelly of Amsterdam and the morally ambiguous terrain of adulthood. This collection is all about fun, a chance to watch some of your favorite writers (Blake Butler, Roxane Gay, Tim Jones-Yelvington, Shya Scanlon, Molly Gaudry, Michael Kimball, Lily Hoang and more) take some pop culture figures and tropes and have a good time flipping them on their head or pushing them to limits you’d never imagined they could approach. Pick this one up if you enjoy reading.

Friday, February 18th

Annalemma @ AWP – Vermin on the Mount.

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{pics courtesy Tim Schreier}

Jim Ruland, the esteemed host of the esteemed reading series, Vermin on the Mount, contacted me six months ago and asked if Anna wanted to sponsor a VOTM reading in DC. I said, “Aboslutely, what do I have to do?” He said, “Nothing, it’s already done.” That made me feel real good and I made a mental note to consider Jim one of the best people I’ve met in the writing world.

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That’s not really true, he didn’t really say that I didn’t have to do anything. He asked that I book some readers from Annalemma Issue Seven: Endurance to round out the bill, like Amber Sparks here, who’s just about everywhere these days in case you didn’t know.

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Jim booked the fire too, tapping Roy Kesey to read, who is also everywhere these days.

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There was a very attractive crowd in a very attractive room.

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Jim’s mom was in the audience so, naturally, there was lots of talk of anal sex and drug abuse.

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I’d never known about Al Heathcock or his words until this night. I feel like that’s a gross mistake on my part.

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I’d known about Scott McClanahan, but I didn’t know his performance would bring me to the brink of tears because it was so beautiful.

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He is an expert magician.

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Lindsay Hunter read a piece that we’ll be putting up on the website next week. Lindsay Hunter is from Orlando, like me, and she is fucking awesome.

Also, don’t sleep on Nicolette Kittinger. She’s a great writer who repp’ed Annalemma that evening and we were lucky to have her.

Thanks to Jim Ruland for throwing such an awesome event and thanks to everyone who came out!