Archive for the ‘art’ Category

Tuesday, March 23rd

Issue Six Preview: Goodnight, America.

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The following is an excerpt from the story Goodnight, America by Jack Boettcher, appearing in Annalemma Issue Six. Image by Daniel Lucas.

“Carol, word this evening that a bridge has collapsed over the Coosa River. There were several injuries, but only one person died.”

“Dan, bless those poor onlookers. Can you imagine?”

“I see the bridge crumbling into the river like a shelf of shale touched by our Lord’s pointer itself, Carol.”

“It’s just awful isn’t it.”

“Carol. Like, no, I can’t even begin to. Uh. Us boys used to jump off that bridge into the river at night, wearing nothing but the suits we wore to the interview with God before we were born, so obviously I have some very tender like feelings for that bridge, but we have to press on, we have to fight, we have wars going on right now. Which reminds me, folks, you can donate cigarettes and old battery-operated handheld video games for the troops to our offices, at any time you wish, call…”

*

You think about letting go and floating out on the invisible wires of a wind shifting direction, on summer nights with the river drawing up fast beneath you. But with the air so humid that it was like you were already falling through something like water, and until you hit the quick black surface and went swift and away you never knew what the water really was. And you get distracted before the bright lights and the camera, you have to read the cards twice, and then you read things that aren’t on the cards at all, textual gaps and illusions into which you stumble. From that warm and rust-rough footing your tiny toes gripped, you could smell the blasts off the steel furnaces and see the deer sleeping on the banks below, color of simply smoke, not yet skittish because the first boy hadn’t jumped and cracked the hushed rush of the current. You honestly believe the world had the exact number of people it was supposed to have back then, as your mother also professes. Whichever path you took from home, in any direction, the wilderness always clung as snug against you. Now there are paved roads and sodium lights for the teenagers to find their ways home. You were drunk on that bridge above the river and you were so young and drunk that the stars prickled through the brine into your pores and stung like the horseflies that were actually stinging you. You flailed above the water like some hapless new mammal with pawn shop wings and all those comets reached across the sky to bite you in the ass. You swatted away horseflies midair. A wonder you never cracked your skull: people scavenged metal and trash from that river for a living.

Click here to pre-order Annalemma Issue Six, which ships April 12th, 2010.

Jack Boettcher is the author of two chapbooks of poetry, most recently The Deviants (Greying Ghost Press 2009). His stories and poems have appeared or are forthcoming in Boston Review, Denver Quarterly, Fence, Indiana Review, Pleiades, and other magazines. He lives in Austin, TX.

Daniel Lucas is an artist & graphic designer working and living in luscious Los Angeles. A graduate from the CalArts program, he – like so many other graduates – still has little, to no, idea where he is going in life. This is the most exciting thing about it all to him. 

Monday, March 22nd

Issue Six Preview: Ashore, an Island.

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The following is an excerpt from the story Ashore, an Island, by Jonathan Messinger, appearing in Annalemma Issue Six. Image by Ghazal Hashemi.

My mother didn’t understand that Dominica was a different island than the Dominican Republic, so in the months leading up to the belated honeymoon she would say, “Kyle is finally going on his honeymoon,” she’d say, “to the Dominican Republic.”

And you would think it would be that finally, the inherent judgment of adverbs, that would have driven my brother crazy. But because my mother had entered this age of enlightenment, we all knew the finally came more from relief for her hard-working son than it did from admonishment.

Instead, it was her persistent confusion of the French Dominica with the Spanish Dominican Republic that made of my brother a red-eyed maniac.

“It’s Dominica, ma!” he’d yell.

“That’s what I said,” she’d calmly respond.

“It’s different. It’s not the Dominican Republic. It’s a totally different island.”

“Well, I don’t know, I don’t know,” she’d sing-song, not wanting a fight.

It progressed past the point of civility, to where my brother and mother no longer spoke to each other. And suddenly there was a need for me, the little brother without a wife, without a steady job and without the ambition to find one. Suddenly the family warmed to me, which was a new sensation. While my family froze each other in the chambers of their bruised love, I was treated like a freshly delivered pizza, or, whatever makes families happy these days.

I have to confess, I didn’t know why my brother lost his cool over my mother’s confusion. She’d always had weird language hiccups, and yes they could be frustrating, but they’d always been something of a joke for our family, the way families laugh at our balding fathers or our nephews with heads shaped like vegetables. Kyle never lost his cool when my mother consistently called a piña colada a pina calooda or the famous comedian Jerry Seinfeld Jerry Steinfield.

Click here to pre-order your copy of Annalemma Issue Six, which ships April 12th.

Jonathan Messinger is co-publisher of featherproof books, books editor of Time Out Chicago, and co-founder of The Dollar Store reading series. He’s the author of the story collection Hiding Out, and is at work on the next in the series: Hiding Out 2: Hiding In and Hiding Out 3: Don’t Stop Hiding.

Ghazal Hashemi is an artist and writer born in Tehran, Iran. She is currently living in a beach town the size of a shoe box.

Tuesday, March 16th

Sleep Talking.

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I was pleasantly surprised to see Issue Six contributor Todd Jordan’s new photo book sitting on my desk when I came into the office this morning.

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A handsome and impressive collection I’m proud to add to the shelf. We need to get on Decathlon about updating their site, but for now head on over to Dashwood to purchase. Well worth it!

In other TJ news: he also keeps a Tumblr that will steal 10 15 minutes of your day.

Tuesday, March 9th

120 in 2010: We Did Porn.

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Random thoughts:

Don’t go into We Did Porn hoping for the alt-porn version of David Foster Wallace’s Big Red Son or Eric Schlosser’s An Empire of the Obscene. This book isn’t an investigative look into the recent trend of adult film stars covered in tattoos and Technicolor hair. This is a diary from the front lines of a culture war. Zak Smith rarely takes a microscope to porn. Instead, as someone who’s performed in a handful of alt-porn titles himself, he writes from the perspective of an insider, rarely delving into the personal histories of his subjects, mostly showing them as they are in the moment: actors, actresses, directors, various producers and production people engaged in the often unsexy process of performing sex on camera for money.

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Only towards the end of the book does Smith try to tackle the how’s and why’s of women’s reasons for pursuing a career in the adult film industry. It’s the most interesting chapter as he challenges the general conception that most women in the porn industry are there because of a history of sexual abuse.

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Smith’s writing style reflects his paintings: meticulous–borderline obsessive–with the detail. The images he chooses to show look washed out and spent, with spikes of color just to make sure you’re paying attention. He’s so generous with the scenery that sometimes he forgets a scene needs to reveal something about the people in it, which is a nice way of saying there’s a handful of excerpts the feel directionless.

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Points off to Tin House for design. The thickness of the cover stock makes the book feel like it would fracture your skull if dropped from a height of a few feet. The inside pages are a weird semi gloss finish, presumably chosen to accommodate the images. The appeal of the paperback is that it’s somewhat malleable. This thing is just goddamn unwieldy.

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This is a hard book to read. Zak Smith’s admittedly cynical worldview is refreshingly honest at times, but isn’t necessarily something that calls to you from the bookshelf. But Smith is writing about the zeros, as he calls the previous decade. It’s hard not to write cynically about a dark chapter in the history of the US, a time that we still live in, where it feels like things couldn’t possibly get much worse and we long for the innocence of only a few years ago, when we felt that things couldn’t possibly get much worse. The form of the memoir demands honesty, so it’s rings false to offer glints of hope when there doesn’t seem to be much of that going around. Of course, the drawback is that if your audience already knows how fucked up things are, they’re not necessarily going to want to be reminded of that every ten pages or so.

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Friday, March 5th

Mark Weaver.

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The above is from Mark Weaver‘s Make Something Cool Every Day project. Check out his flickr page to see the whole set, each image more magnetizing than the last.

I know there’s a lot of you out there who make it a point to write every day and sometimes it feels like a job, that you’re just sitting there typing away at some bullshit because otherwise you’d feel lazy and unproductive. What if instead of telling yourself, “I’m going to write every day,” you tell yourself, “I’m going to write something cool every day?” Whatever the definition cool means to you, you write it.

I try to write every day. Sometimes it feels like a job. Like I’m just typing away at some bullshit because otherwise I’d feel lazy and unproductive. As an experiment inspired by Mark Weaver I’m going to stop telling myself, “I am going to write every dayand instead tell myself, “I am going to write something cool every day,” and see where that gets me. Go, Mark Weaver, go!

Thanks to Gia for the heads up!

Monday, March 1st

John Welles Bartlett.

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Via the Design*Sponge blog:

Brooklyn artist John Welles Bartlett’s woodcuts and prints of mythical and extinct creatures make me happy. And I’m not really sure why. Reminiscent of childhood? Desire for the unknown? Wolfboy? Who’s to say? The folks over at Berdorf Goodman have taken note as they’ve given Bartlett the run of their windows until next month.

Thanks to Wiggle Worm for the heads up!

Friday, February 26th

BBCDW: Jules Verne.

Book cover design virtuoso Jim Tierney redesigned four classic Jules Verne novels, not for some reissue campaign for a big time publisher, but for his senior project.

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Jim employs all sorts of whimsical, rarely-used cover design methods like die cut half jackets, spin wheels and translucent film.

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The best part about these covers is you need only glance at them to get a potent taste of the adventure that lies within.

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The worst part about them is that they are one of a kind. Hey Penguin! Get off your ass and mass produce these.

Click over to Faceout Books to read a short interview with Jim about the process.

Thanks to Danny J for the heads up!

Tuesday, February 23rd

Issue Six Roster.

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{above image by Xenia Fink for the story “Bred in Captivity” by Ravi Mangla}

Did I mention we’re working on our new print issue? And did I mention that it’s got a stupid-ridiculous amount of talent in it? Don’t believe me? Do as Lavar Burton teaches by not taking my word for it and check out our tentative roster for our sacrifice themed issue.

A-hole in Germantown

Story: Mickey Hess

Images: Charles Bergquist

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Three Stories

Stories: Matt Bell

Images: Joseph Wood

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Ashore, An Island

Story: Jonathan Messinger

Images: Ghazal Hashemi

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Goodnight, America

Story: Jack Boettcher

Images: Daniel Lucas

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Baron Von Richtofen Flies Again

Story: Ryan Call

Images: Jenny Kendler

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Illusions [n2]

Story: J.A. Tyler

Images: owleyes

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The National Pastime

Story: Henry Ronan-Daniell

Images: Nathaniel Shannon

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A Very Compassionate Baby

Story: Anne Valente

Images: Chrissy Lau

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A Flawless Pick

Story: Ian Bassingwaithe

Images: Anthony Cudahy

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Our Lady of Guadalupe Needs a New Fight Song

Story: Jim Ruland

Images: Todd Jordan

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Bred in Captivity

Story: Ravi Mangla

Images: Xenia Fink

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How

Story: Roxane Gay

Images: Rose Wind Jerome

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Condominium

Story: Jimmy Chen

Images: Todd Fisher

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Claim

Story: Brandi Wells

Images: Yana Tutunik

Whew. That’s a lotta hooch. Now if you’ll excuse me I’m going to lose my mind for a week while we try to get this to the printers and back in time for AWP.

Thursday, February 18th

Eika Dopulo

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We tried to work with Russian artist Eika Dopulo for Issue Six but circumstances got the best of us and we couldn’t make it happen.We have resolved, however, to work with her in the very near future. Check out her behance and her flickr and imagine what could have been and what will be.

Tuesday, February 16th

Xenia Fink.

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We’re fortunate enough to have the meticulous and beautiful line work of Xenia Fink in our roster for Issue Six. Xenia’s humans are inviting at first but seem to become more warped the longer you look at them. Enough with that arts talk. Go check out her site.